Showing posts with label dusk. Show all posts
Showing posts with label dusk. Show all posts

Friday, December 9, 2016

Deep dusk

Deep dusk
Deep dusk.
Badlands National Park July 23, 2009. 75 megapixel Stitch from 9 shots from Nikon D300, 18-55mmf/3.5-5.6 at 35mm, f/16, 3.0s.

I ran across this possible shot going through old pictures in Lightroom just recently. This was taken at dusk in Badlands National Park in South Dakota, a truly remarkable place. Strangely, I had never stitched these images together. The badlands take on amazing colors at sunrise/sunset and are sometimes even more deeply colored at dusk. Hope you enjoy this image.

Saturday, January 24, 2015

Glowing wings

Twilight light makes the wings formation in the Bisti Badlands/De-Na-Zin Wilderness in Northern New Mexico glow.

The Wings in the Bisti badlands are glowing in warm twilight light
The Wings in the Bisti badlands are glowing in warm twilight light
Nikon D600, Tokina 16-288mm f/2.8, 21 mm, f/18, 6.0s, ISO 100.

Saturday, December 1, 2012

Evening over Denver

Impressions of the great smog cloud ;-)
These are some images I took testing out a rented Nikon 70-200mm f/2.8 lens. Truly an amazing lens. Incredibly sharp, even hand held. Heavy though. Be sure to click through for much bigger versions.

Denver dusk panorama. Buy a print. On flickr. On Facebook.
Stitched from 17 handheld images, Nikon D600, Nikkor 70-200mm f/2.8 at 70mm, ISO 800, 1/80s, f/5.6

Color layers. Buy a print. On flickr. On Facebook. On Google+.
Nikon D600, Nikkor 70-200mm f/2.8 handheld at 200mm, ISO 1800, 1/200s, f/5.6
On the original you can see the individual cars on Colfax avenue. You can also see that air quality sometimes leaves something to be desired in the Denver metropolitan area. The blocky structure up front is NREL's new solar covered parking garage.

Monday, September 3, 2012

hiding images

Some images I found hiding in my library from Summit Lake on Mount Evans.

King's crown. Buy a print.
High resolution composite from 9 shots. Individual shots: Nikon D300. Nikkor 18-55mm at 34 mm, f/16, 5.0s, ISO 200.

Shroud. Buy a print.
High resolution composite from 12 shots. Individual shots: Nikon D300. Nikkor 18-55mm at 35 mm, f/16, 10.0s, ISO 200.

Wednesday, November 2, 2011

More fall color in Eldorado Canyon State Park

This image was taken two weeks ago in Eldorado Canyon State park (for earlier pictures from the same outing see here and here). This was quite a while after sunset while I was walking back to my car and the yellow trees were positively glowing.

Blast
Blast. Buy a print.
Boring technical data: Nikon D300, Tokina 11-16 mm at 11mm, ISO 200, f/11, 8.0 seconds. Two different developments in Lightroom of the image were combined in enfuse to balance sky and foreground.
Same image on Flickr. Google+ post.

Tuesday, October 18, 2011

More fall color in Eldorado Canyon

This image was taken at dusk. I have some nice images looking out over the rock formation with sunset glow on them that I will post at a later time. Now fall color is still topical so I'll show that here. This is a followup to the previous post. This waterfall is fairly easy to find right at a pullout to a big bouldering boulder. You have to scramble down a little through some brush and there it is. There are many nice waterfalls in this area but it is often difficult to get a good angle on them. I think this one works.

Dusk fall
Dusk fall. Buy a print.
Technical: Nikon D300, Tokina 11-16 mm at 11 mm, f/11, 1.0s. 3 stop grad ND to darken the sky. Processed in Lightroom (no HDR).
Relevant Google+ post. Image on flickr.

Saturday, October 15, 2011

More from the Loch and Lake Haiyaha

Previously I posted a few images from The Loch here and here. Here are a few more that I took, as well as on my hike over to Lake Haiyaha. First this is at the outlet of The Loch:

Ice and fire
Ice and Fire. Buy a print.
Technical data: D300, Tokina 11-16mm at 11mm, f/10, 1/500s, ISO 800. I painted in a 1 2/3 stop graduated ND in Lightroom to darken the sky.
Relevant Google+ post. Image on flickr.

I really love the yellow glow over the mountain here. This is the Sharktooth. The name of which is much clearer when you take a look at it from the other side.
Keen observers will notice that I made a mistake here and left the camera at a high ISO that I used for family pictures the evening before. Luckily noise reduction in modern raw conversion software is so good that you don't notice even zooming at 1:1 so it's not a big deal at all and the quality of this image in print is just great.

Here is a horizontal pano that I shot on the same spot as where I took the iPhone panorama posted a few days ago.
Surround
Surround. Buy a print.
Technical data: Assembled from 10 images (2 rows of 5). D300 with 35mm f/1.8 DX at f/11, 1/100s, ISO 200. 1 stop darkening of the clouds painted in in Lightroom.
Relevant Google+ post. Image on Flickr.

This should really be seen large. As you can see, the sky is much more dramatic in the DSLR image than in the iPhone panorama, but the iPhone holds up well in the web image. Of course, when you make a large print of this 45 MP image (out of a possible 100 MP or so when rendered full resolution), you'll get incredible detail out of it. The iPhone panorama will not hold up to close inspection in that case. Of course only photographers really care about resolution. People who love the art of photography are looking far more to composition, color, and what kind of story the image tells. Both images work fine in that respect with the dramatic color advantage to the DSLR panorama in my opinion.

Echoes of grandeur
Echoes of Grandeur. Buy a print.
Technical data: D300, Tokina 11-16mm at 11mm, f/10, 1/500s, ISO 800. I painted in a 2/3 stop graduated ND in Lightroom to darken the sky.
This is basically a horizontal version of the vertical high resolution composite I posted before. I like both perspectives but slightly prefer this handheld image.
Relevant Google+ post. Same image on Flickr.

After the Loch I was first planning to walk up to Andrew's tarn, but decided to walk over the small trail from Glacier Junction to Lake Haiyaha and Dream Lake. This was very nice and I shot some images of small waterfalls and a little pond I came across. Here is the outlet to Lake Haiyaha. The name Haiyaha apparently means "rock" in a native american language which is an apt name as the lake shore is riddled with enormous boulders hinting at its glacial origin. This is not the actual lake which is further behind, but I didn't take any images over there as it was very windy here and I doubt I could get any nice reflections on it. The outlet however was quite sheltered and offered some possibilities for reflections as you can see below:

Hallett peak reflection
Hallett peak reflection. Buy a print.
Technical data: D300, Tokina 11-16mm at 11mm, f/5.6, 1/25s, ISO200

Here is another one at a slightly different location.

Misty evening
Misty evening. Buy a print.
Technical data: D300, Tokina 11-16mm at 11mm, f/5.6, 1/25s, ISO200

On the hike over to Dream Lake from Haiyaha, you come across a very exposed ledge that is actually quite scary in winter with deep snow, but that always offers a great view of Longs peak. Here are two more images looking back from that point to Longs. Unfortunately, I did not get any sunset light on it (which is always quite dramatic) but the clouds were very dramatic so I decided to post them anyway.

Along the trail to Lake Haiyaha - Longs peak in the mist
Longs peak in the mist. Buy a print.
Technical data: D300, Tokina 11-16mm at 11mm, f/5.6, 1/50s, ISO200

Along the trail to Lake Haiyaha - the clouds split over Longs
Parting the clouds. Buy a print.
Technical data: D300, Tokina 11-16mm at 11mm, f/5.6, 1/25s, ISO200

If I don't decide to go back in time to my gigantic backlog of images, next up will be some images from Dream Lake and Nymph Lake at dusk.

Saturday, May 28, 2011

Farm images

Horsehoe composition
D300, ISO 1600, Tokina 11-16 mm at 11 mm, f2.8, 1/3s handheld.
These are pictures of the farm where my sister and my father's wife board their horses in the Netherlands. When we were there last winter, we went out for a horseback ride in the bucolic Dutch landscape. Of course it started snowing like crazy while we were out there.

Half moon
Old barn window boarded up with pastic
D300, Nikkor 18-200mm at 22mm, ISO 6400, f3.8, 1/15s

Kasper the horse
This is Kasper, a gorgeous and very large horse. He was waiting to go back into the stable. The yellow light is from one little really old light bulb to the left.
D300, Tokina 11-16mm at 12mm, ISO 1600, f2.8, 1/15s

Supplies
Supplies
D300, Tokina 11-16mm at 11mm, ISO 1600, f2.8, 1/13s

The car? It's out back
Old car
D300, Nikkor 18-200mm at 44mm, ISO 800, f4.5, 1/6s