Saturday, March 29, 2014

Black and White Images from the White Sands

On the last few days of January, I drove down to the White Sands National Monument to meet up with photography buddies Dan Orcutt, Dave Peterman, Bill Wallace, Dick Negaard, and Steve Wapon. I already posted some images from this trip on Facebook, flickr, Google+ as well as on this blog, but I have not shown everything as this place is crazy and magical and there are too many keepers. So bare with me as I slowly make my way through. I shot a total of 521 raw images and undoubtedly would have shot more if my original plan to spend the night on the sand hadn't been scuttled by the schedule of the nearby missile range. They shoot actual rockets over the sand dunes and the monument is sometimes closed due to this for overnight camping. If one goes astray, you don't want to be there. Also, even if there is no missile test, it opens way too late for sunrise shooting, so you really want to camp in the back country camping for sunrise shooting. We'll do that next time. Luckily, another morning, Dave had arranged for the rangers to let us in before sunrise (which they do at a price ;-) ). However, the missile range at the last moment decided to do some tests that morning, making it impossible to get in to the main dune areas. The Monument, feeling bad about it, was nice enough to let us enter a corner of the park where missile danger was low so that we could experience the sunrise anyway. Here is an example image from that morning. More on that later I am sure.

This post will focus on the black and white images I created in this place. There are quite a few. Especially during the day (i.e. not near sunrise or sunset), there are lots of compositions that lend themselves very well to black and white. These images will be mostly in chronological order. Clicking on the image will bring them up much larger and you can get prints from the links too.

Survival
Surviving on the sand must not be an easy task
Nikon D600, Tokina 16-28 mm f/2.8 at 17mm, f/22, 1/20s, ISO100, handheld
I really liked the wispy texture in the sand here and the glow near the plant.

Ridgeline
Dune ridgeline
Nikon D600, Tokina 16-28 mm f/2.8 at 16mm, f/22, 1/60s, ISO100, handheld
The dunes are rife with compositions such as this. In the top left, you can see the little stick that is the subject of the next image.

Point break
defect in the sand
Nikon D600, Tokina 16-28 mm f/2.8 at 16mm, f/22, 1/80s, ISO100, handheld

Radiowaves
Still life on the White Sand Dunes
Nikon D600, Nikon 70-200mm f/4 at 70mm, f/8.0, 1/500s, ISO 100, handheld
I loved the juxtaposition of the shapes in the twig with the waves in the sand.

The reveal
The reveal
Nikon D600, Nikon 70-200mm f/4 at 200mm, f/11, 1/200s, ISO 100, handheld
telephoto lenses are nice to compress the perspective. Those mountains are quite far away in reality.

Lonesome
Lonesome
Nikon D600, Nikon 24-85mm f/3.5-4.5 at 24mm, f/16, 1/160s, ISO 100, handheld
Life must be hard for plants on the gypsum dunes.

Ridges
Ridges
Nikon D600, Nikon 24-85mm f/3.5-4.5 at 80mm, f/11, 1/160s, ISO 100, handheld
In the inter dune areas, one finds these intriguing ridges that look to be formed by water flow and evaporation. I've seen few pictures of this but they offer many opportunities for interesting compositions. More views of these ridges below.

How many grains?
How many grains?
Nikon D600, Nikon 24-85mm f/3.5-4.5 at 24mm, f/22, 1/30s, ISO 100, handheld
Classical ripple composition. I use this one as background on my twitter feed.

Turning a corner
Sand patterns and sunset glow
Nikon D600, Nikon 24-85mm f/3.5-4.5 at 24mm, f/16, 1/50s, ISO 100, handheld
It is getting close to golden hour here and the sand is taking up a gorgeous iridescence. This will be especially clear if you are viewing this on a retina (HiDPI) screen. My blog is smart enough to serve you high resolution images on those.

Phoenix
White Sands January 2014
Nikon D600, Nikon 24-85mm f/3.5-4.5 at 24mm, f/16, 1/60s, ISO 100, handheld
A little later some wispy clouds moved in that reminded me of a bird. This is the same ridge as the image immediately above.

Snake and Bird

Nikon D600, Nikon 24-85mm f/3.5-4.5 at 44mm, f/16, 1/60s, ISO 100, handheld
This is the same cloud and I composed it with an interesting sand structure that looked like a snake to form a mythological image. Appropriate for the southwest I think.

Dreams of faraway shores

Nikon D600, Nikon 24-85mm f/3.5-4.5 at 24mm, f/22, 1/30s, ISO 100, handheld
These are the ridges one finds in the inter dune areas. They are just fascinating and give many opportunities for leading lines.

Sleeping bird

Nikon D600, Nikon 24-85mm f/3.5-4.5 at 24mm, f/22, 1/30s, ISO 100, handheld
This of course is a horizontal version of the previous image. The dune reminded me of a (cartoonish) bird.

This really was just a subsection of all the black and whites I created, but these are my favorites. I hope you enjoyed them. Also see the entire White Sands gallery at smugmug, on Facebook, on Google+, and black and whites at flickr,

Saturday, March 22, 2014

A river runs through it

Sunset at White Sands National Monument.
Not realizing that the White Sands website was incorrect on closing time, the ranger was lightly annoyed that we were too late exiting the park. It is a pity that the park closes so early. One can camp out on the sand, but the days that I was there, every morning had a missile test. which meant that one could not get camping permits. If you are going here for sunrise or sunset pictures, be aware of the restrictions.

Sunset on the White Sands
Nikon D600, Nikon 70-200mm f/4 at 70 mm, f/16, 1/5 s, ISO 100.
On smugmug. On flickr. On Facebook. On Google+.

Friday, March 21, 2014

To There and Back

Sunset graces Sierra Blanca Peak and grazes the sand dunes in White Sands NM.

To there and back
Nikon D600, Nikon 24-85 mm f/3.5-4.5 at 62mm, f/11, 1/40s, ISO 100.
On Smugmug, On flickr, on facebook, Google+.

Sunday, March 2, 2014

Mysterious traffic

I was just looking at my blog's stats and in the last few days people have taken an interest in my post about a sunrise at dead horse point. The amount of traffic is quite extraordinary. This is just a day:

This is the statistics on the smugmug gallery that the images are hosted from:

That's with only 1/3 of March 2 done by now, so it seems that sunday will be a 4000 image day too. Somebody big must have started linking to it as these images don't draw a lot of traffic normally. Strangely, I cannot figure out what triggered the traffic as google analytics does not show the origin of the traffic. As the graph above shows, my smugmug site (which serves up the images) shows the traffic quite well, but of course thinks it comes from my blog. These are some of my favorite images and it's nice if people enjoy them but I am still curious where the traffic came from.

Cradled
Cradled. Buy a print.
Nikon D600, Tokina 16-28mm f/2.8 at 24 mm, f/16, 1/6s, ISO 100.

EDIT: 3/2/14. This is probably a consequence of referer spam. Traffic generated by bots hoping to generate links back to them. Evil spammers.

Saturday, January 18, 2014

Serious color management bug in Mac OS 10.9 "Mavericks"

Update Feb 26, 2014 - Just updated a machine to 10.9.2, the update that fixes the nasty SSL bug. It does NOT fix this color management bug.

After quite a bit of testing I have come to the conclusion that there is a serious color management bug in Mac OS X 10.9 Mavericks. This is subtle but will result in your shadows being displayed much darker than they really are. The bug affects almost every color managed program and is present whether you use a display profiler such as a Spyder or whether you use the built in profiles. The bug was introduced with 10.9 and is not present in 10.8. So if you are a pro using Mac OS X, stay on 10.8 for now. Strangely enough, Photoshop displays correctly, but it is the only program that does consistently. Aperture plugs the shadows. Lightroom displays correctly in the Library module but incorrectly in the Develop module which makes developing your pictures when looking for shadow detail difficult. I already submitted a bug report to Apple so we'll see if it gets fixed. I am not the first to notice this as is clear from this thread on Adobe's Lightroom forum.

This is the display in Photoshop(correct) on 10.9.1

This is Aperture on Mac OS X 10.9.1:

The first row has disappeared and the second row is much darker than it should be

This is Lightroom Library module (close to correct)

And this is Lightroom Develop (way off again):

Hope this is useful to somebody. The test file came from lagom, which I turned into a RGB tiff file with an included sRGB profile so that Aperture could read it. Again, on 10.8 the display is identical in all software. Also, it doesn't matter whether you calibrate or not or what calibrator you use, they all show the issue. I used a Spyder 3 Pro here but the issue shows up with other calibrators too.

Wednesday, December 25, 2013

Portal - a quiet Mount Toll reflection

Mount Toll is an iconic peak in the Indian Peaks Wilderness. Usually you see this peak from a completely different angle. In September I decided to hike up to try and see a glacial lake that is clear on the topo map above the well-known Blue Lake and made it over the moraine in time. I wrote about that hike before here and here and there is a gallery that has images from it here. Going through my library looking for some images to test print on some nice paper I got from Santa, I came across the below image that I had somehow ignored first time around but that really struck my eye.

reflection in Upper Blue Lake
Portal. Bigger and Prints. On facebook. On flickr.
Nikon D600, Tokina 16-28 mm f/2.8 at 19 mm, f/22, 1/3s, ISO 100.

Sunday, December 15, 2013

Some late fall color on the Eaglesmere Lake Trail

Quite a while ago (the 28th of September) I went on a nice fall color hike with the cmc photography section. There was fresh snow on the ground and the fall colors were peak this day so it was just glorious. We hiked along the Eaglesmere Laker trail mostly as there some great aspen groves along it. Highly recommended if you want to catch fall color next year.

Looking up. The color was just radiant with the crowns of the tree sunlit, but the ground not.
Aspen along Eaglesmere Lakes Trail
Nikon D600, Nikkor 24-85 mm, f/3.5-4.5 at 24mm, f/10, 1/125s, ISO 100, handheld.
Bigger and prints. On flickr. On Facebook.

Geometric. A slightly different perspective to the previous scene.

Nikon D600, Tokina 16-28mm f/2.8 at 16mm, f/11, 1/100s, handheld.
Bigger and prints.

The glow. The sunstar might be hard to see in this small image but it has a full 18 points! I also love the oranges in the leaves.

Nikon D600, Tokina 16-28mm f/2.8 at 16mm, f/16, 1/50s, ISO 100.
Bigger and Prints. On Facebook, On Flickr.

Eagles Nest peak framed by trees.
A snowy Eagles Nest peak framed by changing aspen trees
Nikon D600, Nikkor 24-85 mm, f/3.5-4.5 at 55mm, f/16, 1/50s, ISO 100, handheld.
Bigger and Prints. On flickr. On Facebook.

Orange moon.

Nikon D600, Nikkor 24-85 mm, f/3.5-4.5 at 85mm, f/8.0, 1/40s, ISO 100, handheld.
Bigger and Prints. On Facebook. On Flickr.

Radiance.

Nikon D600, Nikkor 24-85 mm, f/3.5-4.5 at 24mm, f/16, 1/60s, ISO 100, handheld.
Bigger and Prints. On Facebook. On flickr.

The Spring of Winter.

Nikon D600, Nikkor 24-85 mm, f/3.5-4.5 at 80mm, f/8.0, 1/25s, ISO 100, handheld.
Bigger and Prints. On Flickr. On Facebook.

I have some more nice images to share from this trip but for now 7 images will have to do ;-). I hope you enjoyed them. I certainly enjoyed taking them. Check out the Facebook and Flickr links to explore some more.